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MKH 20-P48 Article No. 02857
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| General Description | | The MKH 20 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omni-directional microphones do not suffer from 'proximity effect'. |
| Features |  | Exceptionally flat frequency response, switchable for near and diffuse field applications |
 | High-frequency response can be accentuated by means of a pressure build-up ring |
 | Slightly increasing directivity at high frequencies to adjust tonal balance |
 | Exceptionally low inherent self-noise |
 | Transformerless and fully floating balanced output |
 | Switchable pre-attenuation |
 | Black, anodised light metal body |
| Delivery Includes |  | 1 MKH 20, 1 MZS 40 shock mount, |
 | 1 MZW 41 windshield, 1 pressure build-up ring |
| Polar pattern |  |
| Frequency response |  |
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| Profile | Omni-directional studio microphone with switchable diffusefield correction, switchable pre-attenuation and pressure build-up ring, frequency response 12 Hz -20,000 Hz, sensitivity (free field, no load) 25 (8) mV/Pa ± 1 dB at 1 kHz, nominal impedance 150 Ohm, min.
terminating impedance 1 kOhm, equivalent noise level A-weighted 10 (18) dB, CCIR-weighted 20 (28) dB, max. SPL 134 (142) dB at 1 kHz, phantom powering 48 ± 4 V, supply current 2 mA, dimensions in mm Ø 25 x 153, weight approx. 100 g. Values in parentheses
with attenuator switched on (?10 dB). |
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