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| O 300 - Active Studio Monitor |  |  |
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| General Description |
The goal: accurate, absolutely uncolored sound Our aim with the O 300 was to strive for nothing less than perfection in developing the best compact active reference monitor possible, with accurate, uncolored sound, superb transient response, and ideally shaped waveguides.
| The Differences: |
O 300 D |
O 300 |
| Analogue Input |
Transformer Balanced |
Electronically Balanced |
| Digital Input |
S/P-DIF, AES/EBU |
None |
| Amplifier Direct Input |
Yes |
None | The O 300 is a monitor which draws upon all of Klein + Hummel’s years of experience in monitor design, which has been fine-tuned through extensive computer simulations and countless listening tests. It is indeed unique in its class, for it does in fact deliver superlative sound absent of colorations, precise bass response, picture-perfect dispersion patterns, and a stunningly real soundstage with remarkable image focus and depth.
The advantages of the three-way system To authentically re-create the sound captured in a recording-particularly a recording of the human voice-an active three-way system was chosen. In comparison with two-way monitors, the 300 offers clear advantages that have been discussed in detail earlier in this catalog. The sophisticated three-way design employed in the O 300 makes this loudspeaker system extremely precise and revealing of detail, and it enables the mixing engineer to make critical judgments with supreme confidence.
Exact localization and extraordinary sense of space By utilising a dense, new, extremely low-resonance material called LRIM, we were able to mold the waveguides required for optimal dispersion directly into the baffle. The elliptical shape of the high-frequency horn makes the dispersion angle in the vertical plane more narrow thus reducing the amount of early reflections off the console surface which would otherwise interfere with the direct sound from the speakers (comb-filter effects), thereby improving spatial definition. At the same time, the effective horizontal listening area is made wider, giving the recording engineer greater freedom of movement in front of the console. The use of LRIM has also made it possible to align the acoustic centers of the two drivers exactly on one plane, parallel to the baffle, thereby preventing time and phase coherency problems at the crossover frequencies. This allows the individual drivers to work together perfectly to produce a precisely detailed soundstage.
Superb sonic qualities For a loudspeaker system to achieve extremely flat frequency response and create an authentic reproduction of the original sound, its components need to be of very high quality, carefully manufactured, and selected for their compatibility with one another. The 8¼” (210 mm) cone woofer is made of a special lightweight polypropylene material that has excellent self-damping properties. Its long-excursion voice coil enables this driver to produce very low frequencies at high sound pressure levels with practically no distortion. In contrast to common bass-reflex systems, which tend to blur the low end, the acoustic suspension system of the O 300 D delivers tight, articulate bass which is strikingly clear, detailed, and natural, particularly in transients. The midrange is handled by a treated fabric dome with a diaphragm/voice coil of 3" (76 mm) in diameter. Since its mass is much lower than that of cone drivers, it has the advantage of being able to achieve superior impulse response and extremely uniform amplitude response. As a result, midrange reproduction is impressively true-to-life, especially with the human voice. The high-frequency driver is equipped with a titanium/fabric dome that combines the transparency of a titanium dome with the low distortion of a fabric dome. This driver has been finely matched to its elliptical waveguide, ensuring exceptional directivity. All three drivers are magnetically shielded, allowing you to place the speakers directly next to video monitors or computers.
Precise room-matching The O 300 includes very flexible room-matching circuitry to alter the amplitude response of the monitor as needed, depending on speaker placement, in multiple steps and in three critically relevant frequency ranges. This flexibility can be instrumental in turning less than ideal room acoustics into a favorable listening environment.
High-performance amplification Each of the three drivers in the O 300 is powered by a high-performance amplifier that is exactly matched to the driver’s technical requirements and which embodies Klein + Hummel’s long years of audio experience. Precisely tuned electronic crossovers help provide proverbial operational reliability and high amplifier output with minimal distortion. The monitor is equipped with effective protection circuitry designed to allow impulse peaks through and to respond with limiting only when a voice coil is in danger of thermal overload or a power amplifier runs the risk of overheating. Activation of the limiter is indicated by blinking of the illuminated K + H logo.
Solid enclosure, award-winning design The monitor stands out not only for its sound but also for its attractive, modern design, and in fact received an international design award in 1998. The sides of the cabinet are constructed of low-resonance wood, and the front baffle is molded of dense LRIM. The cabinet is available in either a charcoal-gray enamel finish or any other RAL color. The attractive metal grille is the final touch.
Block Diagram (Download)
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| Features |
Sophisticated 3-way system
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The most important frequency spectrum lies in the ideal broadcast zone of the loudspeaker
| | Extremely low-distortion reproduction
| | Exceptionally neutral sound stage from 40 Hz to 20 kHz
| | No standing waves in enclosure
| | No partial coloration
| | No comb-filter effect |
Unconventional enclosure concept
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| | Very compact enclosure constructed of advanced materials
| | Avoidance of resonance via combination of MDF and LRIM (Low Resonance Integral Moulding)
| | Very accurate bass reproduction via sealed enclosure
| | Precision centers of loudspeaker are on one plane
| | Homogenous baffle with no diffraction or fastening elements and with excellent self-damping properties
| | Extremely wide effective listening area for main monitor via horizontal installation
| | Modern design
| | Numerous installation possibilities
| | Optional baffle cover/grill
| | Magnetically shielded |
Functional waveguide
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| | Dispersion is horizontally wide
| | Increased freedom of movement at mixing console
| | Vertically narrow sound dispersion reducing early reflections off console surface
| | Perfect dispersion pattern |
Advanced electronics
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| | Integrated electronic limiter for each driver
| | Active crossover equalizer with 24 dB/oct.
| | AF-input equipped with minimal distortion input circuit
| | Power and overload/limiter-display integrated into Klein + Hummel logo
| | 3 x 4 room-matching circuitry for different placement options |
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| Delivery Includes |
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| | 1x O 300
| | 1x Power cord
| | 1x Operation manual |
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| Technical Data |
| Acoustical |
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-3 dB free field frequency response |
35 Hz - 24 kHz, ± 3 dB |
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Pass band free field frequency response |
40 Hz - 20 kHz, ± 2 dB |
| Self generated noise level at 10 cm |
< 20 dB(A) |
| THD < 0,5% at 1 m distance from |
95 dB SPL (> 100 Hz) |
| Max. SPL in half space at 3% THD in 1m |
112.8 db SPL |
| Max. SPL averaged between |
100 Hz and 6 kHz |
| Electrical |
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| Woofer amplifier, cont. output power (THD < 0.1%) |
150 W |
| Woofer amplifier, peak output power |
250 W |
| Midrange amplifier, cont. output power (THD < 0.1%) |
65 W |
| Midrange amplifier, peak output power |
75 W |
| Tweeter amplifier, cont. output power (THD < 0.1%) |
65 W |
| Tweeter amplifier, peak output power |
110 W |
| Controller design |
Analog, acive |
| Crossover - Frequency |
650 Hz / 3.3 kHz |
| Crossover - Slope |
24 dB/oct |
| Equalization - Bass |
0; -3; -6; -9 dB |
| Equalization - Mid |
+2; 0; -2; -4 dB |
| Equalization - High |
+2; +1; 0; -1 dB |
| Protection circuitry |
Limiter: low, mid, high |
| Infrasonic filter: frequency/slope |
30 Hz; 6 dB/oct |
| Input, analog |
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| Impedance, bal. floating |
XLR, 14 kΩ, optional |
| Input sensitivity |
+6 dBu |
| Max. input level |
+20 dBu (7.8 Vrms) |
| Gain Control |
0 ... - 28 dB |
| CMRR |
> 60 dB @ 15 kHz |
| Displays, indicators - power on |
K + H logo "red" |
| Displays, indicators - limit / clip |
K + H logo "blinking" |
| Mains |
230 V; 120 V; 100 V AC |
| Power consumption - idle |
18 W |
| Power consumption - full output AC; DC |
240 W |
| Mechanical |
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| Cabinet surface |
Painted |
| Color standard |
Anthracite (RAL 7021), silver (RAL 9006) |
| Special (add-on price) |
On request |
| Baffle cover |
Optional removable metal grille |
| Drivers |
Magnetically shielded |
| Woofer |
210 mm (8") |
| Midrange |
76 mm (3") |
| Tweeter |
25 mm (1") |
| Mounting points |
2 x M8 on sides, rear panel bracket |
| Height x width x depth |
253 x 383 x 290 mm (10" x 15.1" x 11.4") |
| Net volume internal |
18.3 liters |
| Weight |
14 kg (30.8 lbs) |
| Accessories |
On a floor stand LH 25 + LH 28 LH 28 + LH 41 LH 25 + LH 48 + K&M tripod 26790 and 26795 LH 41 + K&M tripod 26790 and 26795
On a lighting stand LH 25 + LH 29 LH 29 + LH 41
On a subwoofer (O 870) LH 25 + LH 37 LH 37 + LH 41 LH 25 + LH 28 + pole LH 41 + LH 28 + pole
On a wall LH 25 LH 25 + LH 47 + LH 45
Off a ceiling LH 25 LH 25 + LH 47 + LH 43 LH 25 + LH 47 + LH 46
Off a lighting or truss bar LH 25 + LH 29
Other accessories FO 300, GO 300 B, GO 300 S, CMK 5, C 15 | |
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| Accessories |
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| Variants |
| Product |
Article No. |
Description |
| O 300 |
502200 |
Active Studio Monitor, L, 100 V, anthracite (RAL 7021) |
| O 300 |
502202 |
Active Studio Monitor, L, 100 V, silver (RAL 9006) |
| O 300 |
502201 * |
Active Studio Monitor, L, 100 V, custom paint |
| O 300 |
502212 |
Active Studio Monitor, R, 100 V, anthracite (RAL 7021) |
| O 300 |
502214 |
Active Studio Monitor, R, 100 V, silver (RAL 9006) |
| O 300 |
502213 * |
Active Studio Monitor, R, 100 V, custom paint |
| O 300 |
502204 |
Active Studio Monitor, L, 120 V, anthracite (RAL 7021) |
| O 300 |
502206 |
Active Studio Monitor, L, 120 V, silver (RAL 9006) |
| O 300 |
502205 * |
Active Studio Monitor, L, 120 V, custom paint |
| O 300 |
502216 |
Active Studio Monitor, R, 120 V, anthracite (RAL 7021) |
| O 300 |
502218 |
Active Studio Monitor, R, 120 V, silver (RAL 9006) |
| O 300 |
502217 * |
Active Studio Monitor, R, 120 V, custom paint |
| O 300 |
502208 |
Active Studio Monitor, L, 230 V, anthracite (RAL 7021) |
| O 300 |
502210 |
Active Studio Monitor, L, 230 V, silver (RAL 9006) |
| O 300 |
502209 * |
Active Studio Monitor, L, 230 V, custom paint |
| O 300 |
502220 |
Active Studio Monitor, R, 230 V, anthracite (RAL 7021) |
| O 300 |
502222 |
Active Studio Monitor, R, 230 V, silver (RAL 9006) |
| O 300 |
502221 * |
Active Studio Monitor, R, 230 V, custom paint |
* Minimum order quantity: 20 cabinets |
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| Measurements |
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| Download |
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| Tender Description |
O 300 Active Nearfield Monitor Three-way tri-amplified monitor with thermally protected 110 + 75 + 250 W class A/B-amplifiers. Limit and clip indicated by logo LED. Magnetically shielded 1” titanium/fabric dome tweeter, 3” soft dome midrange and 8 1/4” polypropylene woofer. Compact cabinet molded from LRIM and low-resonance materials with waveguide integrated into the front baffle. 14 kOhm electronic-balanced input on XLR-F with ground lift. 4th order crossover, and four-position “Bass”, “Low-Mid” and “Treble” acoustical controls. Independent high/mid/low and excursion limiters. Maximum SPL is 112.8 dB at 1 m (3% distortion), pass band frequency response 35 Hz - 24 kHz (-3 dB). Self-generated noise level <0 dB(A) at 1 m. Cabinet volume 18.3 liters, dimensions 253 x 383 x 290 mm (10” x 15 1/8” x 11 3/8”), and weight 14.0 kg (30.8 lb). Two M8 threads on side panel for attaching to K+H mounting hardware and rear panel bracket. Optional metal grille. Standard cabinet colors: RAL 7021 (grey), RAL 9006 (silver), and other RAL colors available on request.
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| Software |
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